Three Primary Principles of Stage Performance

There are several skills that you should develop as an aspiring artist who wants to become a great performer. Some of these skills come naturally, but others need your effort and willingness to learn. Once you gain these fundamental techniques, you will be able to create a dominant performance that impresses your audience.

You can learn other musical aspects from if you wish to become a star.

Several individuals would like to understand the real meaning of an outstanding stage performance. I believe inspiration is critical before you can focus on specific performance techniques and skills.

As an aspiring theater performer, you have to possess strong singing skills and excellent dramatic techniques.  You may not find any opportunity to present if you don’t own the above set of competencies.

However, the most important thing is how you put together these elements. Combining high-performance techniques and expertise with inspiration has the power of creating an exceptional performance with other fundamental performance principles.

As a performer, you need to understand how to use each of these basic principles to the greatest effect. You also have to combine these principles in such a way that they help you to bring out the best performance possible. Here are some of the fundamental principles for stage performance.

Stage Presence

I have come across several upcoming artists who ask me how they can enhance their presence on stage. This is a very common phrase among professional and rising talents. There is no way I can give a step to step guide on how to create stage presence.

You just need to combine the fundamental performance techniques and skills with inspiration from other performers. You also have to recognize the significance of your performance and audience. It’s advisable to spend enough time on the stage and have a clear understanding of the sentiments of your performance material.

In addition, you need to understand the perspective, age, and size of your audience. You can find a very good example of an emotional performance in this video:

Emotional Connection

Sometimes I believe that this is a very heavy principle that creates an impression that all performers should load themselves with emotions. The truth of the matter is that things should not work towards this direction.

It always depends on the type of material that forms the basis of your performance. The context of your performance may range from a young child enjoying the warmth of her mother to an old man on his death bed.

Both performances require the artist to not only associate with the characters but also make a strong connection. Emotional connection is critical for any successful performance.


I work with several artists who are preparing for concerts, showcasing, and short plays. In such cases, you only perform for a fraction of the entire event. You should have the desire to deliver a very powerful performance that will impact your audience in the short time you have.

As you prepare for substantial roles that call for longer performances, you have to learn the art of pacing. You have to balance each great moment with more reflective sections that are shorter. These short portions should provide contemplation and anticipation periods.

You need to identify how a performer paces his performance while watching any great performance. Make sure you understand how to achieve pacing if you anticipate growing into a great artist.